The New York Times – Film:
The Oscar-nominated film is based on a 1992 book by the prolific Scotsman Alasdair Gray. Beloved by writers, “that’s not the same as being widely read,” says one of them.
Author: A.J. Goldmann
-
‘Poor Things’ Choreographer Uses Dance to Tell the Story
The New York Times – Film:
Constanza Macras, founder of the Berlin dance company DorkyPark, uses “dance as a function, as a language,” in her work, be it for the stage or the screen.
-
‘Poor Things’ Choreographer Uses Dance to Tell the Story
The New York Times – Film:
Constanza Macras, founder of the Berlin dance company DorkyPark, uses “dance as a function, as a language,” in her work, be it for the stage or the screen.
-
Review: In ‘Amour,’ Putting a Palme d’Or Winner Onstage
The New York Times – Film:
An adaptation of Michael Haneke’s 2012 movie at the Salzburg Festival eschews cinematic realism, instead taking a highly stylized approach.
-
The Baritone Andrè Schuen Performs at the Salzburg Festival
The New York Times – Music:
Andrè Schuen stars as Count Almaviva in the Salzburg Festival’s new production of Mozart’s “Le Nozze di Figaro.”
-
Christian Petzold and a German Connection With His Films
The New York Times – Film:
After becoming known for movies distanced from his country’s history, culture and memory, he has drawn from them in some recent works.
-
Ruben Ostlund Doesn’t Want You to Get Too Comfortable
The New York Times – Film:
The Swedish director, this year’s jury president for the Cannes Film Festival, talks about his approach to making films.