The New York Times – Music:
The Flanders Festival Ghent dropped a Munich Philharmonic program, citing concerns over a conductor’s possible views on Gaza. German leaders called the move antisemitic.
Author: Adam Nagourney
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A Dormant Dome for Cinephiles Is Unsettling Hollywood
The New York Times – Film:
The shuttered ArcLight theater complex, whose striking Cinerama Dome evokes a Technicolor past, is a symbol of a movie industry in turmoil, even in its own backyard.
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The Los Angeles Opera, Post-Plácido Domingo
The New York Times – Music:
The star tenor played a central role at the company from the start. Since his ouster, it has worked to define itself on its own terms.
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California’s Leading Conductors Come Together for a New Festival
The New York Times – Music:
Gustavo Dudamel, Esa-Pekka Salonen and Rafael Payare will assemble their orchestras and more for the California Festival: A Celebration of New Music.
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Harrison Ford Loves His Craft. ‘1923’ Tested His Limits.
The New York Times – Film:
The actor, now 80, is still trying new things, including his first major TV role. Just don’t ask him to get all touchy-feely about it.
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One More Project for David Geffen: Building His Legacy
The New York Times – Music:
The entertainment mogul has given $1.2 billion to institutions around the nation, including the New York Philharmonic’s transformed Lincoln Center home.
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John Waters, an Auteur of Trash, Would Like to Thank the Academy
The New York Times – Film:
Curators from the new Academy Museum of Motion Pictures rummaged through his Baltimore home to plan an exhibition on Waters and his cult films.
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Singing, and Signing, Beethoven’s ‘Fidelio’ in Los Angeles
The New York Times – Music:
The Los Angeles Philharmonic and Deaf West Theater are working on an innovative production conceived for both hearing and deaf operagoers.