The New York Times – Music:
He fused the music of his Sephardic roots with Arab traditions, incorporating boogie-woogie and other influences, to create a singular style.
The New York Times – Music:
He fused the music of his Sephardic roots with Arab traditions, incorporating boogie-woogie and other influences, to create a singular style.
The New York Times – Music:
Because there were few opportunities for Black singers in the U.S., she became a powerhouse in Europe, performing in operas like “Tosca” and “Carmen.”
The New York Times – Film:
A link to France’s first golden age of cinema, she drew international attention for a 1947 film that created a scandal in France and was banned in Britain for years.
The New York Times – Music:
Battling the government for more than three years, he was able to prove that the Nixon White House was trying to deport the former Beatle for political reasons.
The New York Times – Music:
A master of American choral music, she wrote arrangements of hymns, folk songs and spirituals used in concert halls and churches countrywide.
The New York Times – Music:
As leader of opera companies in Santa Fe and St. Louis, he welcomed new works as well as new artists.
The New York Times – Music:
In her 23 years at the Met, she sang with the greatest stars of her day. She had a second career as a leading figure in the artistic life of Pittsburgh.
The New York Times – Film:
He helped define cinema as high art for generations of moviegoers and filmmakers in France and beyond, even if he irked some of them with his passion for Hollywood.
The New York Times – Music:
Immersed in his native land’s repertoire — Tchaikovsky, Rachmaninoff, Prokofiev — he drew bold, rich sounds from the world’s major orchestras. In Russia, he was adored.