The New York Times – Film:
Keaton, who died on Saturday, was an actor, director and producer on multiple films and series. Her sole documentary, “Heaven,” explored popular ideas of the afterlife.
Author: Alexis Soloski
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‘Masquerade’ Review: ‘Phantom of the Opera’ Gets the Immersive Remix
The New York Times – Music:
Andrew Lloyd Webber’s “The Phantom of the Opera” returns to New York in an immersive spectacle, as silly as it is thrilling.
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Kelli O’Hara’s Ties to Opera, From ‘The Gilded Age’ to the Met Stage
The New York Times – Music:
O’Hara is an unusual kind of triple threat: a star of Broadway and television who is appearing at the Metropolitan Opera in a revival of “The Hours.”
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How ‘Stereophonic’ Made Musicians Out of Actors
The New York Times – Music:
The new Broadway play conjures a group as dazzling as peak Fleetwood Mac. This is how five actors with limited training (one never held a bass) became rock stars.
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Tobias Menzies on ‘The Crown’ and His Role in ‘The Hunt’
The New York Times – Film:
The British actor excels at playing reserve, and what roils beneath, on “The Crown.” And now he brings that stoicism to “The Hunt,” onstage in Brooklyn.
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The Vocal Coach Who Keeps Broadway (and Patti LuPone) in Tune
The New York Times – Music:
“She saved my career,” Patti LuPone said of this indispensable vocal therapist and coach whose clients include Madonna and Billy Porter.
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Danielle Brooks on Her Oscar Nomination: ‘Look What God Has Done’
The New York Times – Film:
The “Color Purple” supporting actress was nominated for a Tony for the role on Broadway. Still, she spent six months auditioning for the part in the movie.
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With ‘Mean Girls,’ When Trailers Hit Mute on the Musical
The New York Times – Film:
With “Mean Girls,” “Wonka” and “The Color Purple,” why have studios spent much of their marketing budget downplaying and disguising their movie musicals?
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With ‘Mean Girls,’ When Trailers Hit Mute on the Musical
The New York Times – Film:
With “Mean Girls,” “Wonka” and “The Color Purple,” why have studios spent much of their marketing budget downplaying and disguising their movie musicals?