The New York Times – Film:
In “Little Empty Boxes” and other films, the heartbreak of memory loss is intertwined with deeper cultural implications.
The New York Times – Film:
In “Little Empty Boxes” and other films, the heartbreak of memory loss is intertwined with deeper cultural implications.
The New York Times – Film:
Guy Ritchie’s latest is the platonic ideal of an airplane movie, which is not exactly a good thing.
The New York Times – Film:
The film examines the retailer’s tactics and is surprisingly similar to exposés about cults.
The New York Times – Film:
A high-concept movie about music and grief lacks follow through.
The New York Times – Film:
Set in Pakistan, the story of a young woman and her family, hemmed in by men, shifts from realism to genre, with heart-pumping consequences.
The New York Times – Film:
In the new series and in five previous movies, the character serves as a blank slate to examine the mores and concerns of the time.
The New York Times – Film:
Though both documentaries follow programs for rising high school seniors, their differences speak volumes about the challenges the participants face.
The New York Times – Film:
A family of Syrian refugees connects with a once-thriving mining town in Ken Loach’s moving drama.
The New York Times – Film:
The latest in the Warner Bros. Monsterverse franchise shows signs of an anemic imagination.