The New York Times – Film:
The latest installment in the zombie saga is all about evil and good, and whether any of it exists.
Author: Alissa Wilkinson
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‘Young Mothers’ Review: Teen Parents, Breaking Cycles
The New York Times – Film:
The Dardenne brothers’ latest film is a tender portrait of four teenage moms in a Belgian maternity shelter.
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To Be or Not to Be: That Is the Question Filmmakers Can’t Resist
The New York Times – Film:
The Shakespearean monologue that is featured twice in “Hamnet” has long informed the movies, often in surprising ways that can make us rethink the words.
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‘The Testament of Ann Lee’ Review: A Woman Clothed With the Sun
The New York Times – Film:
In an extraordinary performance, Amanda Seyfried plays the founder of the Shakers in a singular film.
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‘The Plague’ Review: Pool of the Flies
The New York Times – Film:
A stunner of a debut film follows a group of boys at a water polo camp, where an outsider is just trying to fit in.
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‘Breakdown: 1975’ Remembers the Cinematic Voices of an Era
The New York Times – Film:
This documentary could be better, but it offers a helpful lesson for film fans new to the movies of that decade.
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‘The Housemaid’ Review: Dusty Counters, Dirty Secrets
The New York Times – Film:
Sydney Sweeney and Amanda Seyfried star in a thriller that is best seen with a full house.
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Rob Reiner Made Clear What He Believed In, Onscreen and Off
The New York Times – Film:
In films like “A Few Good Men,” the director’s ideas of honor and morality were stated as plainly as could be.
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The Year Hollywood Finally Confronted Our Political Moment
The New York Times – Film:
In movies like “Eddington,” “Sinners,” “Wake Up Dead Man” and others, filmmakers have at last wrapped their heads around how to explain this period.