The New York Times – Film:
The idea of the pregnant man has long been mined for Hollywood comedy. This summer, he becomes a menace.
Author: Amanda Hess
-
When an Abortion Story Is Told as a Caper, Thriller or Farce
The New York Times – Film:
As Roe falls, new works including a documentary, a feature film and a comedy show disrupt the taboos and clichés around abortion.
-
When an Abortion Story Is Told as a Caper, Thriller or Farce
The New York Times – Film:
As Roe falls, new works including a documentary, a feature film and a comedy show disrupt the taboos and clichés around abortion.
-
Review: ‘Everything I Need I Get From You,’ by Kaitlyn Tiffany
The New York Times – Music:
In defense of One Direction, Twitter teens and screaming women everywhere.
-
When Motherhood Is a Horror Show
The New York Times – Film:
For the onscreen moms in “The Baby,” “Umma” and “Lamb” — and for an ascendant class of sardonic mom influencers — the source of psychological torture is motherhood itself.
-
The Brilliance of Charo
The New York Times – Music:
The guitarist, singer, actress and comedian has long wrapped her prodigious talents in a glossy, over-the-top persona. Decades later, and still going strong, it’s time to take her seriously.
-
When the Master of the Erotic Thriller Fails to Thrill
The New York Times – Film:
Adrian Lyne used to make deranged romps animated by conservative masculine anxieties. By the time of “Deep Water,” his muse — the all-powerful white man — had lost his grip.
-
The Art of Botox
The New York Times – Fashion & Style:
How facial muscle paralysis insinuated itself into our emotional and creative lives.