The New York Times – Film:
Yui Kiyohara’s slow and graceful film follows a day in the life of three women of different ages as their paths crisscross in a Tokyo suburb.
The New York Times – Film:
Yui Kiyohara’s slow and graceful film follows a day in the life of three women of different ages as their paths crisscross in a Tokyo suburb.
The New York Times – Film:
In this hybrid film by Tizza Covi and Rainer Frimmel, the actress Vera Gemma portrays a complex and vulnerable version of herself.
The New York Times – Film:
Li Ruijun’s newest feature is a touching portrait of love and resiliency that doubles as a critique of China’s ruling class.
The New York Times – Film:
Kavich Neang’s lush feature tells a largely autobiographical tale of growing up in a building whose often painful history is a microcosm of his country’s.
The New York Times – Film:
Belatedly making its U.S. debut, a 2008 film from Ryusuke Hamaguchi (“Drive My Car”) offers new insights into his abiding themes and sensibilities.
The New York Times – Film:
Hong Sang-soo’s latest film traces the relationships in a small Seoul apartment building as they evolve and grow heavier with complications.
The New York Times – Film:
Wen Shipei’s first feature is a twisty and sophisticated debut whose best trick of misdirection is convincing us we’re watching a different kind of movie.
The New York Times – Film:
Tony Leung stars as a spy chief during a shadowy period in midcentury China, when nationalists, communists and imperialists vied for power and souls.