The New York Times – Film:
The highest-grossing horror franchise ramps up the sentimentality for one last gasp with the Warrens.
Author: Beatrice Loayza
-
MoMA Film Series: Reclaiming New Orleans, 20 Years After Katrina
The New York Times – Film:
The Museum of Modern Art’s When the World Broke Open: Katrina and Its Afterlives takes a cinematic look at the city and its people over the past century.
-
‘Motel Destino’ Review: A Lurid Brazilian Thriller
The New York Times – Film:
As the director Karim Aïnouz reveals the secrets within the roadside establishment’s walls, a dangerous love triangle appears.
-
‘Parthenope’ Review: Goddess Worship
The New York Times – Film:
Directed by Paolo Sorrentino, this decadent drama about a beautiful young woman is a one-sided meditation on art, desire and spirituality.
-
‘Night Call’ Review: Belgian Brawlers
The New York Times – Film:
An ordinary locksmith undergoes an action-hero transformation in this snappy thriller set in Brussels during the height of the Black Lives Matter protests.
-
‘A Prince’ Review: Let New Passions Bloom
The New York Times – Film:
Sex, death and domination fuel this beautifully enigmatic pastoral drama from France, which presents the gay coming-of-age of an apprentice gardener.
-
‘Slow’ Review: We Don’t Have to Take Our Clothes Off
The New York Times – Film:
The second feature by the Lithuanian filmmaker Marija Kavtaradze asks what a relationship looks like when you factor out the sex.
-
‘Omen’ Review: Life in a Different Space-Time Continuum
The New York Times – Film:
This trippy ensemble drama set in Kinshasa explores Congolese society through magical realism.
-
‘The Beast’ Review: Master of Puppets
The New York Times – Film:
Bertrand Bonello’s latest film, starring Léa Seydoux and George MacKay as lovers in three different eras, is an audacious sci-fi romance.