The New York Times – Film:
This postapocalyptic father-daughter story shamelessly recombines overused ideas.
The New York Times – Film:
This postapocalyptic father-daughter story shamelessly recombines overused ideas.
The New York Times – Film:
The erotic film, first shown in 1994, finds room for sweetness with its kink.
The New York Times – Film:
A filmmaker who can’t secure an interview with the A.I. executive turns to technology for a solution.
The New York Times – Film:
“The Joyless Street” is among the most chopped-up films of the silent era. A restoration at MoMA’s To Save and Project series proves eye-opening.
The New York Times – Film:
Dramatizing an odd news item from 1977, Gus Van Sant’s crime film isn’t crazy enough.
The New York Times – Film:
In this month’s picks, Sydney Pollack on Frank Gehry, Rob Reiner on Albert Brooks and Mike Figgis on Francis Ford Coppola.
The New York Times – Film:
Jim Jarmusch’s uneven triptych, a prizewinner at Venice, saves its best segment for last.
The New York Times – Film:
Kaouther Ben Hania’s dramatized feature about a Palestinian girl who is killed in Gaza City is both powerfully direct and purposefully removed.
The New York Times – Film:
In a new documentary, the creator of the Pantone system explains how he standardized colors across the globe.