The New York Times – Music:
She and her background vocalists were heard “oohing” and “aahing” on thousands of country and pop hits recorded in the 1950s and ’60s.
The New York Times – Music:
She and her background vocalists were heard “oohing” and “aahing” on thousands of country and pop hits recorded in the 1950s and ’60s.
The New York Times – Music:
Her powerful voice, playful lyrics and topical songs were a model for generations of country singers and songwriters. So was her life story.
The New York Times – Music:
In a career that spanned four decades, he played on thousands of sessions and accompanied many of the biggest names in country music.
The New York Times – Music:
He scored chart-topping records for country stars and later served as the musical director of “The Johnny Cash Show.”
The New York Times – Music:
A mandolin player and singer, he made his mark with the Country Boys (later renamed the Kentucky Colonels), and his influence extended into ’60s rock.
The New York Times – Music:
In the 1940s, he joined with his three brothers and his sister, Rose, to make exuberant music that anticipated rockabilly and rock ’n’ roll.
The New York Times – Music:
He was a force in Elvis Presley’s TCB band and accompanied other big names like Elvis Costello, Jerry Garcia and Billy Joel.
The New York Times – Music:
She and her husband, Joe (“Mr. and Mrs. Country Music”), helped give birth to a West Coast music scene later associated with Buck Owens and Merle Haggard.