The New York Times – Music:
Raphaël Pichon has quickly become one of the most interesting conductors not just in his specialty of period instruments, but in classical music.
The New York Times – Music:
Raphaël Pichon has quickly become one of the most interesting conductors not just in his specialty of period instruments, but in classical music.
The New York Times – Music:
Michael Gordon’s new work reflects on his father’s flight from Poland in 1939 and the migratory life — and buried traumas — that followed.
The New York Times – Music:
The Symphony in F sharp has rarely been championed by major orchestras. But now, Kirill Petrenko’s Berlin Philharmonic is taking it on tour.
The New York Times – Music:
A survey of Walter’s recorded output is fascinating for the ways in which it reveals him reinventing the traditions he was seen to represent.
The New York Times – Music:
With the St. Lawrence Quartet, he played with such enthusiasm that often he swept himself from his seat. At the Spoleto Festival USA, he was a shaping force.
The New York Times – Music:
The English composer deserves a fresh assessment as the world does (and doesn’t) observe the 150th anniversary of his birth.
The New York Times – Music:
Stutzmann, the only female music director among the largest 25 American orchestras, takes the podium with a strong sense of self.
The New York Times – Music:
The Cleveland Orchestra has been given the autograph score, which was sold at auction to a previously anonymous buyer for $5.6 million.
The New York Times – Music:
“Being a concertmaster is terribly demanding,” she once said, “but women can handle the job as well as men can. I know that.”