The New York Times – Film:
The format was initially a boon to amateurs. Now, with moviemaking gone digital, it’s the choice of auteurs like Darren Aronofsky and Kelly Reichardt.
The New York Times – Film:
The format was initially a boon to amateurs. Now, with moviemaking gone digital, it’s the choice of auteurs like Darren Aronofsky and Kelly Reichardt.
The New York Times – Film:
The format was initially a boon to amateurs. Now, with moviemaking gone digital, it’s the choice of auteurs like Darren Aronofsky and Kelly Reichardt.
The New York Times – Film:
This French drama about a woman whose father wants a medically assisted death is both bracingly unsentimental and a touch inert.
The New York Times – Film:
This month’s picks include a tense drama about a Kosovan immigrant in Germany, a thriller from Jordan and a Belarusian coming-of-age film set in the 1990s.
The New York Times – Film:
This psychological thriller about a woman experiencing amnesia poses an essentially cinematic question: Who are we without our memories?
The New York Times – Film:
Adapted from Kate DiCamillo’s beloved children’s book, this animated adventure sands down the somberness of its source material while turning up the silliness.
The New York Times – Film:
This month’s picks include a Kafkaesque South Indian comedy, a delirious British noir caper scripted by Alan Moore and a Czech body-horror movie that’ll get under your skin.
The New York Times – Film:
This month’s picks include a wry Bosnian coming-of-age film, a documentary about supernatural phenomena in Scotland and a drama about missing women in Mexico.
The New York Times – Film:
In this luscious Moroccan drama, a tailor and his wife strive to save their craft, and their unusual companionship, in the face of illness and change.