The New York Times – Music:
Ahead of this week’s final round, a writer and photographer went backstage for this state-versus-state competition based on Eurovision. The singers get it. Does America?
The New York Times – Music:
Ahead of this week’s final round, a writer and photographer went backstage for this state-versus-state competition based on Eurovision. The singers get it. Does America?
The New York Times – Film:
This film from Louis Leterrier tries to pay tribute to classic 1980s buddy-cop movies, but not even Omar Sy can’t salvage it.
The New York Times – Film:
Known for portraying the luckless Theon Greyjoy on “Game of Thrones,” the British actor shares the items that are helping him prep for his Broadway debut.
The New York Times – Film:
This month’s picks take viewers through time loops, economic collapse and dystopian rage, with Noomi Rapace along for the journey.
The New York Times – Music:
In her kooky, rambunctious biopic “Aline,” the French comedian Valérie Lemercier drew from her own life to play the Quebecois pop star at every stage of hers.
The New York Times – Music:
Laiona Michelle’s tribute show, now at New World Stages, is more an impressionistic portrait for those familiar with the singer’s life and career.
The New York Times – Film:
This month’s picks include near-future psychological drama, Oscar-nominated robot antics and a bearded, mysterious Hugo Weaving.
The New York Times – Music:
Stars vs. hopefuls. State vs. state. Eurovision fans will recognize the format of NBC’s new original song competition. For everyone else, here’s a primer.