The New York Times – Film:
The actors star in the new Steven Soderbergh film “The Christophers,” about fine art and unlikely bonds: “We’re Romeo and Juliet.”
Author: Esther Zuckerman
-
Nadav Lapid’s Film ‘Yes’ Is Intended to Anger Both Israel’s Right and Left
The New York Times – Film:
The director Nadav Lapid uses his work to confront his discomfort with nationalism in his home country, never more so than in “Yes.”
-
When Stars’ Plastic Surgery Is Played for Your Entertainment
The New York Times – Film:
On TikTok and Instagram, content creators play detective, trying to figure out what work has been done. But they’re really just critiquing women’s looks.
-
How a Mistake Made ‘Project Hail Mary’s’ Rocky Into a Breakout Star
The New York Times – Film:
Rocky was brought to life through a combination of puppetry and visual effects. But his charming personality was the result of a misunderstanding.
-
What the ‘Project Hail Mary’ Directors Learned From a Firing
The New York Times – Film:
Phil Lord and Christopher Miller, best known for animations like the “Spider-Verse” films, took lessons from “Solo: A Star Wars Story,” a project from which they were dismissed.
-
Jessie Buckley Wins First Oscar for Best Actress in ‘Hamnet’
The New York Times – Film:
The actress closes out a season of wins in this category with an Academy Award.
-
Paul Thomas Anderson Wins Best Director Oscar for ‘One Battle After Another’
The New York Times – Film:
It was his second win, after taking home the award for best adapted screenplay on Sunday.
-
Casting, Which Will Be Celebrated at This Year’s Oscars, Has Changed Drastically
The New York Times – Film:
What once involved an actor and a casting director in a room is now a technologically advanced exercise with pros and cons for performers.