The New York Times – Music:
Sarah Davachi’s “The Will of Tongues” is a collection of music that refuses extremes and requires undivided attention.
Author: Hugh Morris
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Joseph Havlat Stacks Up Variations on ‘Sinner, Don’t Let This Harvest Pass’
The New York Times – Music:
Joseph Havlat’s thoughtfully programmed “Sinner, Don’t Let This Harvest Pass” spirals out from Schumann’s enigmatic “Ghost Variations.”
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Ed Gardner, ‘Force to Be Reckoned With,’ Comes Into His Own
The New York Times – Music:
Ed Gardner is an ideal ambassador for British music. And he is building an important profile abroad, with a trip to the United States this month.
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How John Dowland Built a Music Career on Tearful Melancholy
The New York Times – Music:
Dowland, who died 400 years ago, spun out sad songs that were popular in his time and continue to influence artists today.
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Alexandre Kantorow Rises, With Piano Prizes and the Paris Olympics
The New York Times – Music:
The 27-year-old musician Alexandre Kantorow has rapidly received worldwide attention. That hasn’t changed his approach to making music.
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Gerstein's ‘Music in Time of War’ Pairs Debussy and Komitas
The New York Times – Music:
Kirill Gerstein’s immense recording project “Music in Time of War” surveys works by artists who witnessed World War I and the Armenian genocide.
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Holst’s ‘The Planets’ Was a Hit, and a Team Effort
The New York Times – Music:
Gustav Holst composed “The Planets” with crucial help from others. Firsthand accounts and the score reflect how collaborative its creation was.
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Two Pianists Make a Life Out of an Intimate Art Form
The New York Times – Music:
Pavel Kolesnikov and Samson Tsoy, partners onstage and off, began to play as a duo in school. Now, they are dedicating their careers to it.
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Two Pianists Make a Life Out of an Intimate Art Form
The New York Times – Music:
Pavel Kolesnikov and Samson Tsoy, partners onstage and off, began to play as a duo in school. Now, they are dedicating their careers to it.