The New York Times – Music:
The producer got his start in the 2010s connecting underground electronic sounds and hip-hop. His first album, “Revanchist,” embraces a long-derided genre of dance music.
The New York Times – Music:
The producer got his start in the 2010s connecting underground electronic sounds and hip-hop. His first album, “Revanchist,” embraces a long-derided genre of dance music.
The New York Times – Music:
“Tu nombre verdadero” (“Your Real Name”), which debuts Friday in New York, is a spiritual multimedia performance from the 45-year-old novelist and musician.
The New York Times – Music:
On his third album, “Saturno,” the Puerto Rican musician further reimagines the genre, drawing on the worlds of Miami bass, late ’90s underground and freestyle music.
The New York Times – Music:
“Fórmula Vol. 3” soars when it expands the scope of the genre and the singer’s own approaches to its trademarks, but falls flat when it relies on backward-looking tropes.
The New York Times – Music:
“I’ve made it clear to people that I’m never going to make a record that’s the same as another,” the pop star said. His fourth album was inspired by a spectrum of Caribbean music.
The New York Times – Music:
On “Blue Water Road,” the singer infuses confessional lyrics with newfound emotional clarity.
The New York Times – Film:
A son must save his ailing mother in this disturbing, ambitious religious thriller.
The New York Times – Music:
La rapera dominicana, alegremente célebre por sus letras obscenas, ha colaborado con estrellas como J Balvin y Rosalía, y ha sido aclamada como una iconoclasta.
The New York Times – Music:
The gleefully raunchy Dominican rapper, who’s collaborated with J Balvin and Rosalía, has been hailed as an iconoclast. Her own goal is simple: Speaking her truth.