J. Hoberman – Page 4

‘Winter Kills’ Returns in New Print at Film Forum

The New York Times – Film:

Part black comedy, part paranoid thriller, the 1979 movie returns after four decades in a new 35 mm print at Film Forum.

The New York Times – Film:

Jean Eustache’s digitally restored 1973 film, now at Lincoln Center, is part of a full retrospective of his work.

The New York Times – Film:

Liza Béar’s deadpan anti-thriller returns to the Museum of Modern Art for a limited engagement.

The New York Times – Film:

Lucian Pintilie’s newly restored mad farce, now at Film Forum, paved the way for the Romanian new wave.

The New York Times – Film:

Jeanne Moreau’s first film as a director is showing for a week at Film Forum, newly restored and seven minutes longer than its 1976 U.S. release.

The New York Times – Film:

Newly restored, Claire Denis’s quasi-autobiographical “Chocolat,” a child’s-eye view of French colonialism, is austere yet vivid.

The New York Times – Film:

He was a painter, a musician, a photographer and a sculptor. But he was best known for experimental (and often contentious) films like “Wavelength.”

The New York Times – Film:

In its unflinching depiction of a French teenager’s violent gay awakening, this 1983 film is among Patrice Chéreau’s most confrontational works.

The New York Times – Film:

A 4K restoration of Hou Hsiao-Hsien’s thrumming, visually bold movie about a self-destructive club girl retains its capital-L look.