The New York Times – Music:
Eerie coincidences make the composer’s final work, “Four Songs for Crossing the Threshold,” seem like a requiem written for himself.
The New York Times – Music:
Eerie coincidences make the composer’s final work, “Four Songs for Crossing the Threshold,” seem like a requiem written for himself.
The New York Times – Music:
Nicolas Hodges has carried on with his career as an eminent interpreter of avant-garde music. But it hasn’t been without sacrifices.
The New York Times – Music:
Nicolas Hodges has carried on with his career as an eminent interpreter of avant-garde music. But it hasn’t been without sacrifices.
The New York Times – Music:
Salvatore Sciarrino’s “Venere e Adone,” his 15th opera, premieres this weekend at the Hamburg State Opera.
The New York Times – Music:
The storied Berlin techno club Berghain has changed the way some composers think about and make music.