The New York Times – Music:
“The music stays as beautiful as it is,” said Andreas Staier, an eminent interpreter of early keyboard music who has a rare blood disease.
The New York Times – Music:
“The music stays as beautiful as it is,” said Andreas Staier, an eminent interpreter of early keyboard music who has a rare blood disease.
The New York Times – Music:
The composer’s latest work, “Theta,” born of the pandemic, loss and long swims in open water, is premiering in Germany.
The New York Times – Music:
Eerie coincidences make the composer’s final work, “Four Songs for Crossing the Threshold,” seem like a requiem written for himself.
The New York Times – Music:
Nicolas Hodges has carried on with his career as an eminent interpreter of avant-garde music. But it hasn’t been without sacrifices.
The New York Times – Music:
Nicolas Hodges has carried on with his career as an eminent interpreter of avant-garde music. But it hasn’t been without sacrifices.
The New York Times – Music:
Salvatore Sciarrino’s “Venere e Adone,” his 15th opera, premieres this weekend at the Hamburg State Opera.
The New York Times – Music:
The storied Berlin techno club Berghain has changed the way some composers think about and make music.