The New York Times – Music:
The worldwide sensation and American-style musical theater form an awkward alliance onstage.
Author: Jesse Green
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Review: On Broadway, ‘& Juliet’ (& Britney & Katy & Pink)
The New York Times – Music:
Shakespeare’s tragedy becomes a girl-power romp in a cotton candy jukebox musical, featuring songs by the Swedish hitmaker Max Martin.
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Review: In ‘Only Gold,’ Each Move Is Worth 1,000 Words
The New York Times – Music:
The new Kate Nash dance musical, choreographed by Andy Blankenbuehler, is spectacular as long as you pay no attention to what it’s saying.
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Review: In ‘Almost Famous,’ the Heart of Rock ’n’ Roll Flatlines
The New York Times – Music:
Cameron Crowe’s 2000 film, set in the world of bands and groupies, does not survive its Broadway musical transplant.
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Angela Lansbury, Broadway’s Beloved Everywoman
The New York Times – Film:
She performed without sentimentality or histrionics, embodying the full range of human joy and depravity while remaining professional and approachable.
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Is It Finally Twilight for the Theater’s Sacred Monsters?
The New York Times – Film:
Many of the “great men” who helped America create its classics, its institutions and its own acting style were tyrants. We need to cut them loose.
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‘Macbeth’ Review: Something Wonky This Way Comes
The New York Times – Film:
Daniel Craig and Ruth Negga star in Sam Gold’s oddly uneasy take on the Scottish play.
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‘Funny Girl’ Review: Broadway Revival Shows Why It Took So Long
The New York Times – Music:
Beanie Feldstein stars as the comic Fanny Brice in the show’s return after almost 60 years.