The New York Times – Music:
Michael Spyres made an overdue New York recital debut at the Park Avenue Armory, whose intimate space could not contain his voice.
The New York Times – Music:
Michael Spyres made an overdue New York recital debut at the Park Avenue Armory, whose intimate space could not contain his voice.
The New York Times – Music:
Adams, arguably our greatest living composer, has done operas inspired by recent history. In “Antony and Cleopatra,” he turns to Shakespeare.
The New York Times – Music:
The multihyphenate pop star will compose her first ballet score for the Fall Fashion Gala at New York City Ballet in September.
The New York Times – Music:
With surprising concerts performed at the highest level, the Ouverture Spirituelle is part of the Salzburg Festival but outshines it.
The New York Times – Music:
Santtu-Matias Rouvali, a contender for the podium at the New York Philharmonic, spends as much free time as possible at home in rural Finland.
The New York Times – Music:
With concurrent productions in France that are fresh yet faithful, Kratzer is “renewing opera, but renewing it intelligently,” says one colleague.
The New York Times – Music:
In Paris, a moving and wistful performance installation by Lina Lapelyte gathers untrained singers for reflections on regret and inability.
The New York Times – Music:
In Munich, the Bavarian State Opera’s annual festival opens with Krzysztof Penderecki’s harrowing account of demonic possession and pervasive evil.