The New York Times – Music:
Washington National Opera managed to resume performances within two months of its abrupt departure. But there are still challenges ahead.
Author: Joshua Barone
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Fritz Lang’s ‘Nibelungen,’ the Way It Was Meant to Be Heard
The New York Times – Music:
The monumental, two-film “Die Nibelungen,” drawn from similar material to Wagner’s “Ring,” is best when presented live with a full orchestra.
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The Opera ‘Monster’s Paradise’ Takes Satirical Aim at Trump
The New York Times – Music:
“Monster’s Paradise,” by Olga Neuwirth and Elfriede Jelinek, attempts an operatic response to current events and politics. Is that possible?
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Review: Thomas Adès and America at the New York Philharmonic
The New York Times – Music:
Thomas Adès led the New York Philharmonic in an expanded version of his “America: A Prophecy” that strikes notes of caution and consolation.
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Esa-Pekka Salonen Returns to L.A. Philharmonic With New Job
The New York Times – Music:
Esa-Pekka Salonen, the orchestra’s longtime music director, came back to lead his first concerts since being named its creative director.
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After Sudden Loss, Park Avenue Armory Hires New Artistic Leader
The New York Times – Music:
Deborah Warner, known for directing theater and opera, succeeds Pierre Audi, who died last year. Her own work is expected to be part of her programming.
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Modern American Opera Wouldn’t Be the Same Without Her
The New York Times – Music:
Beth Morrison has shepherded dozens of new works into existence over the past 20 years. And her footprint continues to grow.
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Review: The Met Opera Unveils ‘I Puritani’ on New Year’s Eve
The New York Times – Music:
Charles Edwards’s deceptively traditional, exceptionally sung production of Bellini’s “I Puritani” makes space for its stars.