The New York Times – Music:
Alban Berg’s “Wozzeck,” which premiered in the shadow of World War I, will break your heart with a score that captures the essence of opera.
The New York Times – Music:
Alban Berg’s “Wozzeck,” which premiered in the shadow of World War I, will break your heart with a score that captures the essence of opera.
The New York Times – Music:
The latest revival of Richard Strauss and Hugo von Hofmannsthal’s final opera was a night of promising debuts and mixed success.
The New York Times – Music:
The composer George Benjamin and the pianist Pierre-Laurent Aimard met as students. In a new piece, they perform at the keyboard together.
The New York Times – Music:
Daniele Rustioni is already busy as the Met’s new principal guest conductor, with three shows onstage this fall.
The New York Times – Music:
Huang Ruo and David Henry Hwang’s “The Monkey King,” based on “Journey to the West,” brings an old superhero to the opera stage.
The New York Times – Music:
Sarah Kirkland Snider’s gorgeously mesmerizing first opera has both focus and a thematically expansive view of a moment in medieval history.
The New York Times – Music:
This Spanish pop star’s new album is being advertised as symphonic and operatic. Its music borrows from both, without committing to either.
The New York Times – Music:
The Estonian Festival Orchestra made its North American debut at Carnegie Hall, offering a broad, excellently played survey of Pärt’s music.