The New York Times – Film:
With “The Killer,” how to build an oddball executioner in seven easy steps.
Author: Leah Greenblatt
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Chloe Domont on Her Dangerous Date Movie, ‘Fair Play’
The New York Times – Film:
The writer-director discusses her Netflix film about power dynamics within relationships, and how it might end up facilitating breakups.
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Wes Anderson, Pedro Almodóvar and Godfrey Reggio Try Short Films
The New York Times – Film:
Wes Anderson, Pedro Almodóvar and Godfrey Reggio have films this fall that are less than an hour each.
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Sex Comedies Are Coming Back This Summer, With a 2023 Twist
The New York Times – Film:
This summer, raunchy comedies with a feminist perspective are trying to reinvent an R-rated genre that often can’t withstand much scrutiny.
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Daveed Diggs and Awkwafina on ‘The Little Mermaid’
The New York Times – Film:
An interview with the actors, who have big claws and wings to fill as the voices of Sebastian and Scuttle in the latest live-action version of the movie.
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How Did ‘Beau Is Afraid’ Land a Mariah Carey Song? Indies Have Their Ways.
The New York Times – Music:
A well-written letter and other methods of persuasion can help reduce the cost of expensive hits and produce unforgettable results.
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Name Above the Movie Title? How About in It?
The New York Times – Film:
With the release of “Guy Ritchie’s The Covenant,” here’s a look at the occasional phenomenon of directors branding movies with their own names.