The New York Times – Film:
The film’s subtitle is drawn from one of the performer’s quotes in his autobiography “Here I Stand”: “I’m a Negro. I’m an American.”
The New York Times – Film:
The film’s subtitle is drawn from one of the performer’s quotes in his autobiography “Here I Stand”: “I’m a Negro. I’m an American.”
The New York Times – Film:
This playful movie uses stop-motion and hand-drawn animation to pay homage to Leonardo as a thinker and tinkerer.
The New York Times – Film:
In films like “All of Us Strangers,” “Poor Things” and “Rustin,” vivid turns kept audiences rapt even as the Hollywood strikes made it a less starry affair.
The New York Times – Film:
This documentary dives into the nation’s outrageous history of the policing of Black citizens by touching on the 2022 killing of Amir Locke.
The New York Times – Film:
The French director Claire Simon’s profoundly humane documentary focuses on patients in the gynecology ward of a Paris hospital.
The New York Times – Film:
Lily Gladstone’s achingly measured performance braided with the actual stories from nonprofessional actors makes Morrisa Maltz’s film a memorable road trip.
The New York Times – Film:
Set in 1967 Dublin, this mild-mannered comedy explores grief and grievances with an ensemble that includes Maggie Smith, Kathy Bates and Laura Linney.
The New York Times – Film:
This drama, directed by Megan Griffiths, explores abuse and trauma through a potent and prickly series of conversations.
The New York Times – Film:
With more jokes than jump scares, this comedic horror film is as tartly amusing as it is provocative.