The New York Times – Film:
In this powerful French movie set in the early 1960s, a young woman struggles to obtain an abortion when the procedure was criminalized.
Author: Manohla Dargis
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‘Anaïs in Love’ Review: Portrait of a Woman on the Run
The New York Times – Film:
A restless woman discovers herself in a seductive French romance that throws out the usual dusty script about women, desire and pleasure.
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‘The Unbearable Weight of Massive Talent’ Review: Being Nicolas Cage
The New York Times – Film:
Nicolas Cage plays Nick Cage — maybe, kind of, not really — in a comically romantic, buddy-movie thriller that is also an ode to him in all his Caginess.
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‘Petite Maman’ Review: Into the Woods
The New York Times – Film:
The French director Céline Sciamma’s enchanting new movie centers on a young girl who discovers a mysterious friend in a storybook forest.
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Father Doesn’t Know Best at New Directors/New Films
The New York Times – Film:
Returning to an in-person event, this year’s adventurous festival is filled with discoveries that use families to explore contemporary life.
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‘Paris, 13th District’ Review: Groping Toward Happiness
The New York Times – Film:
In his latest movie, the French director Jacques Audiard tells the story of lovers finding their way in Paris.
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‘Morbius’ Review: The Other Bat, Man
The New York Times – Film:
Jared Leto bares his teeth as a neo-vampire who walks by day and tries to keep his monstrous thirst at bay in the latest Marvel adaptation.
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‘The Contractor’ Review: The Pine Identity
The New York Times – Film:
Chris Pine and Ben Foster team up to play mercenaries in a solid thriller about losing your faith and finding yourself in a violent reckoning.
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‘Infinite Storm’ Review: Climb Every Mountain, Ford Every Extreme
The New York Times – Film:
Naomi Watts stars in a true-life drama about a woman who hiked up a mountain alone and returned with some heavy, unexpected cargo.