The New York Times – Film:
As the brilliant but flawed Kitty Oppenheimer, the actress plays a woman who had “extraordinary qualities, as well as ones that really let her down as a person.”
The New York Times – Film:
As the brilliant but flawed Kitty Oppenheimer, the actress plays a woman who had “extraordinary qualities, as well as ones that really let her down as a person.”
The New York Times – Film:
The Oscar-winning actress said she now regrets “diminishing” the long history of antisemitism in remarks at the rally, which led her agents to part ways with her.
The New York Times – Music:
On the road the past few weeks, the 82-year-old singer-songwriter has been peppering sets with surprising crowd-pleasers.
The New York Times – Music:
A new report found that women are dramatically underrepresented when it comes to conducting, directing and designing operas at leading American companies.
The New York Times – Music:
A teaser for the Netflix biopic has ignited a new round of criticism that the family described as a misunderstanding.
The New York Times – Music:
Chris Kuroda has brought more than 1,750 of the group’s shows to life since 1989, handling one of the most complex gigs in the business: responding in real time, without a set list.
The New York Times – Film:
“The Day After Trinity,” made available without a subscription until August, shot to the top of the Criterion Channel’s most-watched films.
The New York Times – Film:
The IMAX 70-millimeter format is usually associated with action. But Christopher Nolan says his biopic benefited from the tall image.
The New York Times – Film:
“Sound of Freedom,” a film championed by the right, was behind only “Insidious: The Red Door” and “Indiana Jones and the Dial of Destiny” at the box office last weekend.