The New York Times – Film:
“The Testament of Ann Lee” and Shaker traditions represent how movement has been a constantly evolving conduit to heaven.
Author: Margaret Fuhrer
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Movement Directors Are the Secret Ingredient to Movies and Runway Shows
The New York Times – Fashion & Style:
The way an actor physically inhabits a character? A model’s distinctive runway walk? Credit a movement director, who can make an ad, movie scene or fashion show feel intensely alive.
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Tate McRae on Tour: Dancing’s What She Loves
The New York Times – Music:
Dance, which has been a central part of McRae’s pop persona from the beginning, is thrillingly showcased on the Miss Possessive tour.
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Tate McRae on Tour: Dancing’s What She Loves
The New York Times – Music:
Dance, which has been a central part of McRae’s pop persona from the beginning, is thrillingly showcased on the Miss Possessive tour.
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Why Is There No Oscar for Best Choreography?
The New York Times – Film:
Imaginative dance abounds in Hollywood, but its creators remain unheralded at awards time.
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Bursting Into Dance: Gentlemen, Assume the Superhero Stance!
The New York Times – Film:
“Spirited,” a revisionist “Christmas Carol,” leads with tap, thanks to the choreographer Chloé Arnold and her team, Ava Bernstine-Mitchell and Martha Nichols.
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‘Baseball Players Don’t Dance’? The Savannah Bananas Beg to Differ.
The New York Times – Sports:
TikTok choreography, dancing umpires, a ballet-trained first-base coach: This collegiate summer league team has amassed a following by leaning into entertainment.
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A Nonbinary Swan, on Pointe
The New York Times – Fashion & Style:
Ashton Edwards, an apprentice at Pacific Northwest Ballet, is part of a rising generation of gender nonconforming dancers questioning ballet’s rigid gender roles.