The New York Times – Music:
Her idea to create a “fantasy city” that celebrated her home region turned into a billion-dollar attraction that maintained its authentic feel.
The New York Times – Music:
Her idea to create a “fantasy city” that celebrated her home region turned into a billion-dollar attraction that maintained its authentic feel.
The New York Times – Music:
Parton made her mark in the country arenas of Nashville, and then crossed over into the pop world, Hollywood and beyond.
The New York Times – Music:
After rising to global pop star status with songs about heartbreak, Smith returns with an album about pointedly queer “requited love,” made exactly how and where made them happiest.
The New York Times – Film:
He and the cinematographer Hoyte van Hoytema combined new inventions (like fire-mimicking lights they developed) with century-old techniques.
The New York Times – Film:
Lexi Minetree beat out 5,000 other actors to play the teenage heroine of “Elle,” a prequel series. She shares many qualities with her can-do character.
The New York Times – Film:
Filming entirely in IMAX meant new engineering and actor ingenuity. It was only halfway through the six-country shoot that he felt he could pull it off.
The New York Times – Film:
The Tony nominee Alden Ehrenreich has been making audiences cry at this Broadway comedy in which he portrays a cynical money manager.
The New York Times – Film:
The documentary offers a rare behind-the-scenes look at a producer even his cast members say is hard to know.
The New York Times – Film:
Jon Bernthal and Ebon Moss-Bachrach are both making their Broadway debut in a high-stakes adaptation of the beloved 1975 film “Dog Day Afternoon.”