The New York Times – Film:
Daniel Raim’s admiring documentary uses interviews and movie clips to detail the making of Norman Jewison’s beloved movie musical.
Author: Natalia Winkelman
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‘Fiddler’s Journey to the Big Screen’ Review: Making a New Tradition
The New York Times – Film:
Daniel Raim’s admiring documentary uses interviews and movie clips to detail the making of Norman Jewison’s beloved movie musical.
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‘Sexual Drive’ Review: Best Served Hot and Heavy
The New York Times – Film:
Natto, mapo tofu and fatty ramen become objects of titillation in this intriguing Japanese triptych that centers on sex without ever depicting it.
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‘Dual’ Review: Seeing Double, Inviting Trouble
The New York Times – Film:
A woman prepares to battle her clone in Riley Stearns’s imprecise satire that invites questions about the self and then leaves them unexplored.
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‘Trust No One: The Hunt for the Crypto King’ Review: Coins and Misdemeanors
The New York Times – Film:
In this sensationalist Netflix documentary, aggrieved users of a defunct cryptocurrency exchange grow convinced that the company’s head absconded with their money.
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‘Outside Noise’ Review: Walking and Talking in Vienna and Berlin
The New York Times – Film:
Three women laze around German-speaking cities in the languid third feature from the indie director Ted Fendt.
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‘Atlantide’ Review: Restless and Reckless on the Venetian Lagoon
The New York Times – Film:
A speed boater and his girlfriend maneuver around the coasts of Venice and its islands in this moody portrait of contemporary youth culture.
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‘The Adam Project’ Review: Back Talk to the Future
The New York Times – Film:
Ryan Reynolds plays a time traveling wise cracker in Shawn Levy’s science fiction adventure.