The New York Times – Film:
She was top-billed in his final feature, “Beneath the Valley of the Ultra-Vixens.” She was also his paramour and, he said, his favorite leading lady.
The New York Times – Film:
She was top-billed in his final feature, “Beneath the Valley of the Ultra-Vixens.” She was also his paramour and, he said, his favorite leading lady.
The New York Times – Film:
He was forever cast as a thug, a hit man or some other nefarious character. But he took pride in his ability to play each bad guy differently.
The New York Times – Film:
She worked on early projects at Florentine Films, where Ken Burns, her husband for a time, would find fame with “The Civil War.”
The New York Times – Music:
A prodigy whose playing had drawn raves since he was a teenager, he helped bring the Hammond B3 back into the jazz lineup.
The New York Times – Music:
He made scores of albums with artists who were well known and others who soon would be. He also founded two important record labels.
The New York Times – Music:
His popular character Gustafer Yellowgold was aimed at youngsters and, more generally, “people who enjoy humor and absurdity and good pop music.”
The New York Times – Music:
An original Cricket, he was also a co-writer of two signature Holly songs, “That’ll Be the Day” and “Peggy Sue.”
The New York Times – Music:
An early writer for Rolling Stone, he traveled in the same circles as the Beatles, Janis Joplin and other stars, witnessing and documenting a time of cultural transformation.
The New York Times – Music:
He composed the instantly recognizable melody for the first James Bond film, “Dr. No.” It has accompanied the agent on his adventures ever since.