The New York Times – Film:
The Venice Classics section offers students a chance to award a top price to remastered classics and documentaries about cinema.
Author: Nicolas Rapold
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Venice Film Festival: A Street-Level View of the Minneapolis ICE Crackdown
The New York Times – Film:
The filmmakers of “They’re Here” were on the ground during the Trump administration’s violent immigration crackdown.
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‘Colony’ Review: Zombies Going Viral
The New York Times – Film:
The director Yeon Sang-ho (“Train to Busan”) returns with a new spin on zombies, created with a virus by a mad scientist to unite, search and destroy.
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The Beginnings of ‘It Ends’
The New York Times – Film:
How the writer-director Alexander Ullom turned post-grad existential anxiety and a tiny budget into his breakout debut horror film.
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‘How to Divorce During the War’ Review: Trouble on the Home Front
The New York Times – Film:
In this deadpan Lithuanian comedy set in 2022, a couple finds their values are tested amid the backdrop of Russia’s invasion of Ukraine.
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‘Fast’ Review: She’s Got Good Traction
The New York Times – Film:
Rob Tregenza’s latest film follows a young woman in Virginia who wants to be a professional racecar driver.
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‘Do You Love Me’ Review: Images of a Beirut Beyond War
The New York Times – Film:
The director Lana Daher creates a complex emotional portrait of Lebanon with found footage assembled into a 75-minute film of memory, trauma and life.
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‘Lucky Strike’ Review: Fighting a Battle Behind Enemy Lines
The New York Times – Film:
This World War II movie is a nuts-and-bolts survival thriller that recalls a bygone era of Greatest Generation patriotism.
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Tribeca Festival: Andre Holland’s Ability to Connect to Audiences Is on Display
The New York Times – Film:
The actor’s ability to connect to roles is on display in two films, “The Revisionist” and “They Fight,” premiering at this year’s Tribeca Festival.