The New York Times – Music:
Speranza Scappucci, the principal guest conductor at the Royal Opera House, has a busy season ahead of her, so she refuses to lose sight of what matters.
The New York Times – Music:
Speranza Scappucci, the principal guest conductor at the Royal Opera House, has a busy season ahead of her, so she refuses to lose sight of what matters.
The New York Times – Music:
The opera singer made her role debut as the hotel host in “Il viaggio a Reims” at this year’s Salzburg Festival.
The New York Times – Music:
A youth orchestra program for musicians as young as 8 is part of Paris Opera’s effort to widen access to the art form and secure its future.
The New York Times – Music:
The company’s director, Oliver Mears, talks about the opening performance of “Tosca,” the return of the soprano Anna Netrebko and more.
The New York Times – Music:
Albena Danailova, a violinist who became the orchestra’s first female concertmaster, is a leader and intermediary who helps preserve a signature sound.
The New York Times – Music:
Mariusz Trelinski returns to the Metropolitan Opera next year with a new staging of “La Forza del Destino,” which leans into psychoanalysis and fate.
The New York Times – Music:
Bohuslav Martinu’s “Greek Passion” poses a timeless question: when a group of refugees seek protection in a new community, what will the locals do?
The New York Times – Music:
“I don’t want to exclude anything,” says the Czech conductor Jakub Hrusa, who plans to present Czech music alongside mainstream repertoire in London.
The New York Times – Music:
The opera house’s new streaming service provides live and on-demand performances, as well as extras like backstage glimpses and educational programs.