The New York Times – Film:
The cinematographer and camera operator behind the Oscar-nominated film — shot almost entirely from the first-person perspective — explain how they did it.
Author: Reggie Ugwu
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In ‘The Effect,’ Investigating Love and Other Drugs
The New York Times – Film:
Jamie Lloyd’s revival of Lucy Prebble’s 2012 play, starring Paapa Essiedu and Taylor Russell, heads to the Shed after a celebrated run at the National Theater, in London.
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Paul Giamatti on His Oscar Nomination
The New York Times – Film:
The star of “The Holdovers” received his first best actor nomination. “It’s an affirmation that is taking me a second to absorb,” he said.
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Aunjanue Ellis-Taylor and Ava DuVernay on the Emotional Journey of ‘Origin’
The New York Times – Film:
For their unconventional adaptation of Isabel Wilkerson’s “Caste,” the writer-director and star tapped into the best-seller’s poignant back story.
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Paul Giamatti on ‘The Holdovers'
The New York Times – Film:
For his role in “The Holdovers,” set at a prep school not unlike the one he attended, the hyper-literate actor mined his own dormant memories.
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Cord Jefferson on ‘American Fiction’
The New York Times – Film:
The Emmy-winning writer and former journalist drew on personal experience for his feature debut, a layered sendup of race and hypocrisy in the book and film worlds.
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’12 Years a Slave’: An Oral History
The New York Times – Film:
A decade on, the Oscar-winning portrait of American slavery feels more potent than ever. The filmmakers explain its personal origins and ultimate triumph.
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After Viral Beef, Robert Glasper Returns to the Blue Note
The New York Times – Music:
Mounting his fifth annual residency at the Blue Note (after a viral beef at the Grammys), the pianist, producer and composer is hungry for a challenge.