The New York Times – Film:
He created realistic imagery for the “Star Wars” franchise, the Indiana Jones films and the “Back to the Future” trilogy. He also put Alice Cooper in a tuxedo and tails for an album cover.
The New York Times – Film:
He created realistic imagery for the “Star Wars” franchise, the Indiana Jones films and the “Back to the Future” trilogy. He also put Alice Cooper in a tuxedo and tails for an album cover.
The New York Times – Film:
He created realistic imagery for the “Star Wars” franchise, the Indiana Jones films and the “Back to the Future” trilogy. He also put Alice Cooper in a tuxedo and tails for an album cover.
The New York Times – Film:
She also had leading roles in “Doctor Dolittle” with Rex Harrison, “Walk, Don’t Run” with Cary Grant and “The Molly Maguires” with Sean Connery.
The New York Times – Film:
After quietly helping Mel Brooks set the irreverent tone on “Get Smart” and “The Producers,” she had a long collaboration as a writer with the actor and humorist Marshall Efron.
The New York Times – Music:
A Grammy-winning pianist, he was renowned for works that created “new ideas about line, harmony, rhythm, sound and musical architecture,” one admirer wrote.
The New York Times – Film:
He ran Universal’s television and movie businesses and had two stints at Columbia. Running a studio, he said, was “sort of like being the head of a small country.”
The New York Times – Film:
While playing basketball at Boston College, he participated in a point-shaving scheme with Henry Hill, the mobster later portrayed in the movie “Goodfellas.”
The New York Times – Music:
His expertise on the electromechanical Mellotron helped define the band’s progressive sound in the 1960s and ’70s on albums like “Days of Future Passed.”