The New York Times – Film:
She’s known for playing offbeat characters in “Russian Doll,” “High Maintenance” and “Girls,” but Greta Lee is winning raves for her restrained performance in “Past Lives.” It almost didn’t happen.
Author: Robert Ito
-
Making a Michael J. Fox Movie With Michael J. Fox’s Movies
The New York Times – Film:
How the documentary “Still” uses footage from its subject’s films and TV shows to tell its story.
-
John Wick Sure Has a Lot of Friends for a Lone Assassin
The New York Times – Film:
How does a taciturn solo killer have so many pals? The films’ creators can’t really explain, but each character has a raison d’être in this world.
-
For Two Broadway Stars, a Love Story Blossoms in a Honky-Tonk Bar
The New York Times – Music:
The new musical “The Lonely Few,” starring Lauren Patten and Ciara Renée, puts a romance between two women at its very heart.
-
A Trans Icon of the 20th Century Revived by Trans Stars of the 21st Century
The New York Times – Film:
The documentary “Framing Agnes” uses transcripts to tell the story of an anonymous woman who became the subject of a series of landmark interviews.
-
A Trans Icon of the 20th Century Revived by Trans Stars of the 21st Century
The New York Times – Film:
The documentary “Framing Agnes” uses transcripts to tell the story of an anonymous woman who became the subject of a series of landmark interviews.
-
‘Almost Famous’ Heads to Broadway, Purple Aura Intact
The New York Times – Music:
Cameron Crowe adapted his Oscar-winning screenplay, about writing for Rolling Stone in the ’70s, preserving parts of the movie’s soundtrack and zingers (Don’t take drugs!) for the stage.
-
The Not-So-Silent Friendship of Jason Mewes and Kevin Smith
The New York Times – Film:
The two, who have played the characters Jay and Silent Bob for 28 years and counting, reflect on their time as best friends and professional partners.
-
Where Did Those Hot Dog Fingers Come From? Daniels Explain
The New York Times – Film:
The directors of “Everything Everywhere All at Once” have found the reaction to their film “humbling and inspiring and confusing.”