The New York Times – Music:
Global conflict and personal loss encouraged our critic to seek out art that gave her a better understanding of grief and healing.
The New York Times – Music:
Global conflict and personal loss encouraged our critic to seek out art that gave her a better understanding of grief and healing.
The New York Times – Music:
Celebrating the 25th anniversary of “The Miseducation of Lauryn Hill,” as well as her legacy with the Fugees, the singer and rapper reveled in the power of reinvention.
The New York Times – Film:
The stars Leslie Odom Jr. and Kara Young and the director Kenny Leon discuss the revival, and why its satirical take on racism is still so timely.
The New York Times – Music:
A recently unearthed live version of “Blues for Mama,” written by Simone and Abbey Lincoln in the 1960s, took on domestic abuse in a momentous way.
The New York Times – Film:
The directors of “Earth Mama” and “A Thousand and One” compare notes on complex portraits of Black motherhood that reject ’90s stereotypes.
The New York Times – Music:
Toshi Reagon and Bernice Johnson Reagon adapted Butler’s dystopian “Parable of the Sower.” Their opera makes its New York debut at Lincoln Center’s Summer for the City.
The New York Times – Music:
Despite all the markers of excellence, contenders like Danielle Deadwyler, Viola Davis and Beyoncé weren’t recognized for the highest honors. Niche awards don’t suffice.
The New York Times – Film:
Our critic was haunted, in a good way, by the performances she saw in movies, theater and TV that offered glimpses into other worlds.
The New York Times – Film:
Our critic was haunted, in a good way, by the performances she saw in movies, theater and TV that offered glimpses into other worlds.