The New York Times – Music:
Since the continent’s clubs reopened after pandemic lockdowns, young partygoers have been drawn to a hard, driving style of techno. It’s changing the way people dance.
Author: Thomas Rogers
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In ‘Passages,’ ‘Sex Is a Huge Part of a Character’s Life’
The New York Times – Film:
The three stars of Ira Sachs’ new movie — Franz Rogowski, Ben Whishaw and Adèle Exarchopoulos — discuss the graphic film’s approach to sexuality and intimacy.
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At Wagner’s Festival, New Technology Reveals a Leadership Rift
The New York Times – Music:
The Bayreuth Festival’s production of “Parsifal” will feature augmented reality. Securing the equipment set off a financial and philosophical dispute.
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A Movie Confronts Germany’s Other Genocide
The New York Times – Film:
“Measures of Men” tells the story of the systematic massacre of Herero and Nama people in what is now Namibia. Its maker hopes the film will bring a debate about Germany’s colonial guilt into the center of society.
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French Documentary ‘On the Adamant’ Wins Top Prize at Berlin Film Festival
The New York Times – Film:
Christian Petzold’s “Afire” took the runner-up award at this year’s Berlinale, where geopolitical crises in Europe and Iran loomed large.
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‘Close’ Director Lukas Dhont: Film’s Master Storyteller of Youth
The New York Times – Film:
At 31, Lukas Dhont already has two art-house hits to his name. The Belgian director’s latest film, “Close,” shows his skill at eliciting intense performances from young actors.
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Parisian Love Stories for the Age of Talk Less, Message More
The New York Times – Film:
Jacques Audiard made his new film “Paris, 13th District” as a counterpoint to the New Wave movies that shaped his early ideas of love and intimacy.