The New York Times – Fashion & Style:
The British painter Harold Cohen spent over four decades refining his collaborator: an image-generating robot.
Author: Travis Diehl
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New Red Order: Artists With a Call to ‘Give It Back’
The New York Times – Fashion & Style:
In “The World’s UnFair,” a Creative Time project in Queens in the form of a wry carnival, a collective redirects the resources of the art world toward returning Indigenous land.
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The Back Room of This Artist’s Studio Is Called the Abattoir
The New York Times – T Magazine:
Max Hooper Schneider’s work space in Los Angeles is a cabinet of curiosities, complete with fish tanks, plastic mushrooms and Nerds candy.
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Anne Imhof, Dancing in the Ruins
The New York Times – Fashion & Style:
The German provocateur’s opening in Los Angeles shows her choreographic skills and obsession with youthful nihilism. But when the performers leave, the emptiness remains.
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Turning Trash Into Poetry
The New York Times – Fashion & Style:
Ser Serpas, a young artist known for kinetic arrangements of discarded furniture, opens up about her expressive way of processing the used world.
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Computers and Painting’s Identity Crisis
The New York Times – Fashion & Style:
A show at Nahmad Contemporary is an outgrowth of debates around “tradition” in art. Can artists embrace beauty while reaching for new technology?
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Buck Ellison’s Great White Society
The New York Times – Fashion & Style:
From the driving range to the dude ranch, an artist stages intimate, alluring portraits of U.S. hegemony from within its walls.