The New York Times – Film:
No matter the role, the actor is reflecting your desires of what you want him to be.
Author: Wesley Morris Elyssa Dudley Hans Buetow and Sasha Weiss
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‘Fatal Attraction’ and the Disappearance of Erotic Thrillers
The New York Times – Film:
In this genre-defining 1987 erotic thriller, sex was the engine that moved the plot. It’s rare to see that in movies today.
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Where’d All the Method Acting Go?
The New York Times – Film:
The Method taught actors to channel the complexity and messiness of human emotion into a performance. Why is that so hard to find in the movies today?