The New York Times – Music:
Kate Soper’s “The Romance of the Rose,” which had its long-delayed premiere at Long Beach Opera, showcases her signature quick-shifting eclecticism.
The New York Times – Music:
Kate Soper’s “The Romance of the Rose,” which had its long-delayed premiere at Long Beach Opera, showcases her signature quick-shifting eclecticism.
The New York Times – Music:
The New York Philharmonic, conducted by Ruth Reinhardt, played Thomas Adès’s “In Seven Days,” for piano, orchestra and moving image.
The New York Times – Music:
Robert Wilson’s staging of Wagner’s “Lohengrin” opened to a wall of boos in 1998. But it brought new theatrical possibilities to the Met.
The New York Times – Music:
In some cases, the inflammatory, Nazi-associated term has been changed out of sensitivity. What do we lose when that happens?
The New York Times – Music:
Esa-Pekka Salonen led the New York Philharmonic the day after Gustavo Dudamel was named as its next music director.
The New York Times – Music:
The superstar conductor’s hiring is the New York Philharmonic’s attempt to recapture the populist glamour it enjoyed under Leonard Bernstein in the 1960s.
The New York Times – Music:
Herbert Blomstedt introduced the New York Philharmonic to a piece he premiered in Stockholm 59 years ago.
The New York Times – Music:
It was a momentous occasion as Wang played all five of Rachmaninoff’s works for piano and orchestra at Carnegie Hall for one show only.