The New York Times – Music:
The Ukrainian Freedom Orchestra, convened just a month ago, shows its defiance with sophistication, craft, rigor and subtlety.
The New York Times – Music:
The Ukrainian Freedom Orchestra, convened just a month ago, shows its defiance with sophistication, craft, rigor and subtlety.
The New York Times – Music:
Valentin Schwarz’s production of the four-opera epic presents human characters with relations even more tangled than usual.
The New York Times – Music:
“Castor and Patience,” a work by Gregory Spears and Tracy K. Smith with an intense yet relaxed score, premieres at Cincinnati Opera.
The New York Times – Music:
A new festival moves away from a genre that has been central to the performing arts center’s identity for decades.
The New York Times – Music:
Pierre Audi, the artistic director of the Park Avenue Armory, is coming into his own as the leader of the Aix-en-Provence Festival in France.
The New York Times – Music:
With two grim premieres among the offerings, Monteverdi’s sharp “L’Incoronazione di Poppea” was the highlight of a week of opera.
The New York Times – Music:
Whether in works by Mahler, Mozart or Rossini, directors at the Aix-en-Provence Festival in France evoke mass death and refugee crises.