The New York Times – Film:
Greta Gerwig, you’re not alone. These artists and films memorably — outrageously in our view — got the brushoff from the academy. We’re still in disbelief.
The New York Times – Film:
With the release of Adam Sandler’s odd, middling and expensive new Netflix film, a look at space movie misfires of the past and how history repeats itself.
The New York Times – Film:
After Greg Jein, an Oscar-nominated visual effects artist, died last year, his friends discovered the prop stashed in a cardboard box in his garage.
The New York Times – Film:
Striking actors and writers fear A.I. Executives don’t seem to. It’s a longstanding battle over technology and control in Hollywood that plays out onscreen, too.
The New York Times – Film:
Instead of the chilling rationality of HAL in “2001: A Space Odyssey,” we get the messy awfulness of Microsoft’s Sydney. Call it the banality of sentience.
The New York Times – Film:
“Blade Runner,” “E.T.,” “Tron,” “The Wrath of Khan” and “The Thing” all arrived that one season 40 years ago to become indelible and influential.
The New York Times – Film:
“Blade Runner,” “E.T.,” “Tron,” “The Wrath of Khan” and “The Thing” all arrived that one season 40 years ago to become indelible and influential.
The New York Times – Film:
He created the look of the X-wing and the Death Star; he also worked on “2001: A Space Odyssey,” “Close Encounters of the Third Kind” and “WarGames.”