The New York Times – Music:
From “A Strange Loop” to “Funny Girl,” most Broadway musicals of 2022 were recorded, offering listeners a chance to love or hate them again.
The New York Times – Music:
From “A Strange Loop” to “Funny Girl,” most Broadway musicals of 2022 were recorded, offering listeners a chance to love or hate them again.
The New York Times – Music:
For our critic-at-large, “Fat Ham,” “Severance,” “A Strange Loop” and “Sandman” were some of the places she found truth and transcendence.
The New York Times – T Magazine:
Two creative people in two different fields in one wide-ranging conversation. This time: the playwright behind “A Strange Loop” and the visual artist.
The New York Times – Film:
In films like “Honk for Jesus. Save Your Soul” and shows like “The Righteous Gemstones,” pageantry is the top priority.
The New York Times – Fashion & Style:
The Tony- and Pulitzer-winning author of ‘A Strange Loop’ finally has an apartment to himself in Manhattan.
The New York Times – Fashion & Style:
The Tony- and Pulitzer-winning author of ‘A Strange Loop’ finally has an apartment to himself in Manhattan.
The New York Times – Music:
The singer and actress was added as a producer of the show as it transitioned to Broadway.
The New York Times – T Magazine:
Raja Feather Kelly uses the time spent waiting for the train to center himself and observe the movements of others.
The New York Times – Music:
‘Funny Girl’ and ‘A Strange Loop’ on Broadway, Ashwini Ramaswamy’s dances, Olivia Rodrigo’s pop takeover: what our critics and writers are looking forward to this season.