The New York Times – Film:
The horror film, which cost $10 million and came from a 20-year-old filmmaker, added to evidence that young people will go to theaters for the right offering.
The New York Times – Film:
The horror film, which cost $10 million and came from a 20-year-old filmmaker, added to evidence that young people will go to theaters for the right offering.
The New York Times – Film:
Now 20, the viral creator Kane Parsons is releasing “Backrooms,” a feature-length expansion of his web series.
The New York Times – Film:
A few years ago, the indie studio A24 was luxuriating in Academy Awards. On Sunday it was shut out entirely.
The New York Times – Film:
Hollywood used to be vexed by political debates. These days it turns both sides into frothy, cartoonish entertainment.
The New York Times – Fashion & Style:
After the final award had been handed out, stars dispersed across Los Angeles for exclusive after-parties at hot spots like Spago and the Chateau Marmont.
The New York Times – Film:
Mr. Chalamet’s star power was in full force in Manhattan as fans clamored to get merch for “Marty Supreme,” a movie none of them will see until Christmas.
The New York Times – Film:
In “The Smashing Machine,” Johnson gives a new kind of performance, one that required him to face his fears.
The New York Times – Fashion & Style:
Emily Schubert has done makeup and prosthetics on movies like “The Sweet East” and “Good Time.” She shares her tricks in a new book with A24.