The New York Times – Music:
Ahead of the New York Philharmonic’s live soundtrack performances of the film, the composer Michael Abels discusses pivotal moments from his score.
The New York Times – Music:
Ahead of the New York Philharmonic’s live soundtrack performances of the film, the composer Michael Abels discusses pivotal moments from his score.
The New York Times – Music:
Giddens said that the success of their opera “Omar” proves that “nobody has the lock on being a composer.”
The New York Times – Music:
Three productions, including the premiere of Rhiannon Giddens and Michael Abels’s “Omar,” distort time in approachable yet provocative ways.