The New York Times – Film:
The prize is considered the best bellwether for the Oscars, though the Apple TV+ film still faces stiff competition from “The Power of the Dog.”
The New York Times – Film:
The prize is considered the best bellwether for the Oscars, though the Apple TV+ film still faces stiff competition from “The Power of the Dog.”
The New York Times – Film:
Denis Villeneuve and his sound team explain how far they went to achieve an aural experience that would feel somewhat familiar, an unusual approach for sci-fi.
The New York Times – Film:
The director of photography for “The Power of the Dog” spent a year on preproduction. Now she could make Oscar history as the first woman to win best cinematography.
The New York Times – Film:
The actress explains why she gave one of the shortest Academy speeches ever when she became the first Latina to win an acting Oscar 60 years ago.
The New York Times – Film:
Much like Vinny in the South, the film was a fish out of water at the Academy Awards. But the comedy endures, thanks to a generous Joe Pesci and a fiery Marisa Tomei.
The New York Times – Film:
There are cases to be made for and against every contender, and no one has an obvious advantage in this upended season.
The New York Times – Film:
Fifty years later, the actor looks back on his breakthrough role: how he was cast, why he skipped the Oscars and what it all means to him now.