The New York Times – Film:
She often played a particularly British character: a bubbly yet resilient woman facing down the corrosive effects of everyday modern life.
The New York Times – Film:
She often played a particularly British character: a bubbly yet resilient woman facing down the corrosive effects of everyday modern life.
The New York Times – Fashion & Style:
The actor, who wore Celine against a celestial backdrop, seemed to be referencing something — or someone — quite specific.
The New York Times – Music:
A decade ago, the Swedish rapper was an internet sensation finding global fame. After struggling with drugs, he’s back with new music, a new film and welcome clarity.
The New York Times – Music:
The pop superstar reinvented herself in the first “Wicked,” but the sequel shows just how much further she can go as an actress.
The New York Times – Film:
For the original, Daniel Craig was hired weeks, not months, in advance, and Ana De Armas joined days ahead. The latest, “Wake Up Dead Man,” followed that template.
The New York Times – Film:
She was a three-time Oscar contender playing strikingly different characters, in once case starring alongside her daughter and fellow nominee, Laura Dern.
The New York Times – Film:
She was her mother’s handmaiden and aide-de-camp. In 1993, her blockbuster biography told of the awful price she paid.
The New York Times – Fashion & Style:
Stephen Prina may have been one of the first to see a deeper pattern in Mr. Reeves’s work.
The New York Times – Film:
At 15, he played the muse to an ailing composer in Luchino Visconti’s film “Death in Venice.” He later said he’d felt sexualized by the director.