The New York Times – Music:
The pop superstar reinvented herself in the first “Wicked,” but the sequel shows just how much further she can go as an actress.
The New York Times – Music:
The pop superstar reinvented herself in the first “Wicked,” but the sequel shows just how much further she can go as an actress.
The New York Times – Film:
For the original, Daniel Craig was hired weeks, not months, in advance, and Ana De Armas joined days ahead. The latest, “Wake Up Dead Man,” followed that template.
The New York Times – Film:
She was a three-time Oscar contender playing strikingly different characters, in once case starring alongside her daughter and fellow nominee, Laura Dern.
The New York Times – Film:
She was her mother’s handmaiden and aide-de-camp. In 1993, her blockbuster biography told of the awful price she paid.
The New York Times – Fashion & Style:
Stephen Prina may have been one of the first to see a deeper pattern in Mr. Reeves’s work.
The New York Times – Film:
At 15, he played the muse to an ailing composer in Luchino Visconti’s film “Death in Venice.” He later said he’d felt sexualized by the director.
The New York Times – Film:
The prolific character actor has spent decades playing memorable supporting roles. He makes it look easy. It wasn’t always so.
The New York Times – Film:
The bewitching duo of Nicole Kidman and Sandra Bullock turned this 1998 supernatural dramedy with a baffling story line into a Halloween classic.
The New York Times – Music:
The star never imagined he’d be performing as the Boss in front of the Boss. But the head-spinning nature of the role has paid off.