The New York Times – Music:
The Italian filmmaker hopes his staging of John Adams’s “The Death of Klinghoffer” will help audiences look past the controversies surrounding the work.
The New York Times – Music:
The Italian filmmaker hopes his staging of John Adams’s “The Death of Klinghoffer” will help audiences look past the controversies surrounding the work.
The New York Times – Music:
Recent performances by the Orchestra of St. Luke’s and the Philadelphia Orchestra offered music by Duke Ellington and John Adams.
The New York Times – Music:
A new era for the orchestra begins in September, when Gustavo Dudamel officially becomes its music and artistic director.
The New York Times – Music:
After the pianist, Vikingur Olafsson, asked for a concerto over beers, the composer, John Adams, wrote “After the Fall,” which will now travel the world.
The New York Times – Music:
Hear songs from “Challengers,” “Call Me by Your Name” and more.
The New York Times – Music:
The opera-oratorio, an alternate Nativity story, featured a flurry of Met debuts, including the director Lileana Blain-Cruz and the conductor Marin Alsop.
The New York Times – Music:
In an interview, Blain-Cruz explained why an oratorio like John Adams and Peter Sellars’s “El Niño” is more difficult to stage than the usual opera.
The New York Times – Music:
Davóne Tines, who stars in the oratorio “El Niño,” is challenging traditions in classical music and using art to confront social problems.
The New York Times – Music:
The Philharmonic’s maestro ends his tenure, Igor Levit comes to Carnegie Hall, and the Metropolitan Opera takes a chance on reviving two recent hits.